Frank Gehry’s Walt Disney Concert Hall Is Inextricably Of L.a.

At the center was a conservatory holding a lobby and topped with a sloping roof. The auditorium was pushed back toward 2nd and Hope streets and clad in limestone. A pedestrian bridge reached over 1st Street to Dorothy Chandler Pavilion. A glass dome crowned a single-story restaurant along Grand. Panorama: Inside Walt Disney Concert Hall with Frank Gehry Even in this embryonic form it was easy to see the influence on Gehry of Hans Scharoun’s 1963 Berlin Philharmonic. Scharoun produced for postwar West Germany a low-slung, open-hearted concert hall that was determined to look anti-monumental and avoid any comparison to the Nazi landmarks of the 1930s. Interview with Frank Gehry Frank Gehry on the making of Disney Hall Architect Frank Gehry discusses the creation of Walt Disney Concert Hall. Interview by Mark Swed. Gehry aimed to do something similar, but for cultural rather than political reasons. He wanted his design to protect the idea of the concert hall as refuge but also to embody the essential informality of Los Angeles. He wanted to demystify and democratize classical music, a goal that happened to match those of the leaders of the L.A. Phil, first Ernest Fleischmann and later Deborah Borda. Getting from design to finished building was a hugely complicated process even by the standards of civic architecture in Los Angeles. Work on the hall stalled by 1994, and the project nearly collapsed for lack of money.

Ethan Miller/Getty Images for Clear Channel Muse played their second-to-last American concert date of the year at iHeartRadio in Las Vegas last night, and after next month’s Austin City Limits , it might be a while before fans see them again Stateside. “Next year, we may do one festival or two, but were probably going to concentrate on getting into a new album,” Muses Matt Bellamy told Rolling Stone backstage at iHeartRadio. But fans will get a chance to experience a Muse concert in almost lifelike form, since the band will be releasing a concert film. “Over the summer, we played this massive gig in Rome Olympic Stadium, that was probably the best gig of the year,” Bellamy said. “Its gonna come out in 4K, which is the highest resolution concert ever shot. Its four times more powerful than HD, so its like ridiculous detail. When you see the concert being filmed, you can see all the crowd, you can see their faces being filmed.” See Where Muse Ranks on Our List of the 50 Greatest Live Acts Right Now The exact release plans are still up in the air, but Bellamy said he expects it to get a limited theatrical release in the U.S., including some Imax screens. It’s a rare occurence for a festival-headlining band big enough to have its own concert film to serve as an opening act, but Muse did so last night in Vegas when they performed before Queen.”Events like this didnt exist a few years ago and we are playing withtechnically opening forQueen tonight,” Bellamy said before the show. “At any point in our career, I wouldnt have thought wed actually get a chance to play with them.” The eclecticism of the iHeart lineup, which also included Elton John this year, proved an educational experience for Muse’s drummer, Dominic Howard.”Having some of those older greats on stage and seeing them play is wicked, because you can still learn so much from a lot of those kind of people that have been around for a while and got more experience than you,” he said. Bellamy also finds it inspiring. “Its odd because when you start out, you perceive those acts as being something really quite long before we even were born, but also well before we started,” he said. “And to somehow end up on a bill with them is quite strange because it makes you think, ‘How old are these people?’ I suppose it gives you hope for making music as an old person.”